News:

“On Margate sands”, paintings and drawings based on T.S.Eliot’s The Waste Land, will be launched at Paul Stolper Gallery on November 7th. Images above and below. I shall be ‘in conversation’ with writer, broadcaster and art critic, Charlotte Mullins who has written an essay for the book. For more details or to order a copy, please see my Contact page.

My postcards will be displayed at Deutsche Bank lounge at Frieze Art Fair London 2018. To celebrate 100 years of women getting the vote, Deutsche Bank are collaborating with Tracey Emin who has curated the exhibition. All cards will be sold in aid of charity supporting vulnerable women.

I am delighted to be working with Tim A Shaw and Niamh White and Hospital Rooms on one of their 2019 projects. I shall be making work for a new psychiatric intensive care unit for women in Exeter.

‘New Painting’, Contemporary British Painting exhibition will be at The Crypt, St Marylebone Church, London from 18th Nov. until 16th January 2019

Church Times, review of “Crossings”, Southwell Minster

Artlyst, review of Sawdust and Sequins at RWA, Bristol

Calum Cockburn’s review of “At the Violet Hour” in Art Aesthetics Magazine

Louisa Buck’s review of “At the Violet Hour” in the Telegraph, read it on this site.

Ayla Lepine on artists’ residencies in churches and cathedrals, “A fractious and yet fruitful embrace” in Church Times, August.

Read reviews of “in atoms” retrospective at Paul Stolper Gallery in Studio International and Art Newspaper.

My essay, “Barbican Resident” is in the recent “Urban Ghosts” issue of Garageland.